Times on Ratner: A Stunning Bait and Switch

In yesterday's New York Times Nicolia Ouroussoff wrote a scathing piece about Forest City Ratner's decision to change architects on the Atlantic Yards Project. Read this excerpt from Ouroussof's harsh assessment of the situation over there, which he characterizes as a "stunning bait and switch."

Whatever you may have felt about Mr. Gehry’s design — too big, too flamboyant — there is little doubt that it was thoughtful architecture. His arena complex, in which the stadium was embedded in a matrix of towers resembling falling shards of glass, was a striking addition to the Brooklyn skyline; it was also a fervent effort to engage the life of the city below.

A new design by the firm Ellerbe Becket has no such ambitions. A colossal, spiritless box, it would fit more comfortably in a cornfield than at one of the busiest intersections of a vibrant metropolis. Its low-budget, no-frills design embodies the crass, bottom-line mentality that puts personal profit above the public good. If it is ever built, it will create a black hole in the heart of a vital neighborhood.

But what’s most offensive about the design is the message it sends to New Yorkers. Architecture, we are being told, is something decorative and expendable, a luxury we can afford only in good times, or if we happen to be very rich. What’s most important is to build, no matter how thoughtless or dehumanizing the results. It is the kind of logic that kills cities — and that has been poisoning this one for decades.